Apochs Metal Review

  • Home
  • Reviews
    • Metal
    • Movies
    • Games
    • Misc.
  • News
  • Interviews
  • Exclusives
  • Features
  • Tours

REVIEW – Stellar Death: Fragments of Light

By Apoch - December 11th, 2020
  • Bio: "A Washington, DC-based instrumental music project for the varied influences and inspirations of members Scott Loose and Matt Kozar." - Press release
  • Label: Self-release
  • Release Date: January 8th, 2021
  • Genre: Post-Metal, Progressive Rock
  • Website: Visit Website
  • Rating (out of 10):

With a name like Stellar Death, one would be forgiven to assume the band is something along the lines of a death metal outfit. In all actuality, this is a two-piece post-metal and prog rock duo from Washington, DC, focusing around soothing, thematic compositions with or without a hue of gazing at the night time sky. Both members have worked together for nearly fifteen years [according to the press release] in the band Brave, boasting plenty of promise in their ability to weave truly enjoyable creations. But does this lineage make for a “stellar” new venture, or is it far from as moving as experience as many would like you to believe?


“The Astronomer” starts things off in a fairly ambitious manner. The seven-minute track establishes the group’s intent of setting up a kind-of astral post-metal landscape across a lighter progressive rock landscape. It has some harder moments such as about three-and-a-half minutes in that brings in more of a doom metal moodiness that nicely compliments the track as more of an experience meant to play more on emotion than anything given how it jumps between extremes in a prog rock story-driven approach. This stands as an alright welcoming track, but it also as one of the few good ones. Sadly, it doesn’t exactly end on the strongest conclusion either (a telling sign of turbulent waters ahead).

“Binary Collapse” starts off relatively dark off the heels of “Betelgeuse” (which we’ll get to), but picks up to a catchy, albeit fairly generic laid back progressive cut. The song periodically bares its fangs, only to go back to sedated as the pace slows once more as expected. The more you listen, the more you can hear the untouched potential for the sake of a tame outcome. Much of this can be said for “Everywhere and Nowhere” as well. Whenever the music gains a little heat, it also picks up some personality. When it slows down beyond the intro that sounds like a sound test you would see before a band’s live set things go back into that “I wanna to float among the stars in the late night skies” wonderment that offers no major difference to the rest of the album beyond the ending’s more major film synth-driven sci-fi piece.

But of all the songs on this release, “Betelgeuse” is the only one to stand out. At all. This one hits like the score to the tense moments of a stand-off in a western film as the storm clouds roll in, or coping with depression staring down half consumed bottle of alcohol in the eighties. Moody guitar leads steal any hope for a happy ending across over four minutes of absolute misery before the hammering gloom leaves up to let in a moment of serenity as the gunpowder settles on either scene. The only song remotely close to this is the ten-minute long “Critical Mass (That Which Cannot be Created)”. Definitely a slow burn, this one gradually builds to something brilliant that promises an astounding conclusion before ending on a whimper that doesn’t live up to the “hype” in any way.

What it all boils down to is an album full of songs that are simply alright. While Stellar Death show they are a competent duo in writing catchy post-prog music, there’s very little that genuinely stands out other than some chill performances. When the band really taps into a particular emotion, they drive the point home with the greatest of ease. Unfortunately there are so few songs on here like that. Utimately, Fragments of Light is a surprisingly dull experience with brief shining moments of solid musicianship that more often than not have no payoff and one memorable song. It isn’t bad, but there’s so much too similar and too little to pull you back in after the first listen if it even manages to hold your interest that long.

Digital review copy of this release provided by Stellar Death
via ClawHammer PR.

Share this:

  • Click to email this to a friend (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to share on Pinterest (Opens in new window)
  • Click to share on Reddit (Opens in new window)
  • Click to share on Tumblr (Opens in new window)
  • Click to share on Twitter (Opens in new window)
  • About
  • Advertise
  • Contact
  • RSS
Copyright 2012-2021 © Apoch's Metal Review Apoch's Metal Review is a website dedicated to bring light to the best releases from the underground to the major players, and educate people why they are good, or what it is that makes them bad. Examined under the critical and unbiased eye of an open minded former Metal Director for WSFX FM, the mission is simple: To weed out the bullshit in Metal today.
loading Cancel
Post was not sent - check your email addresses!
Email check failed, please try again
Sorry, your blog cannot share posts by email.